Writing

My Books

Kill Your Starlings

Exploring ecology, art, activism and historiography, Tom Cull writes of his relationships with family and place, pursuing the imperfect program of recollecting and reconstructing the idea of ‘home’ while resisting nostalgia’s dubious erasures. Frank, unabashed, the poems lean into these entanglements with humour and sincerity, chronicling the writer’s vulnerability as a hinge-point in time—between being a son to a father and a father to a son; between a history that can’t be changed and a future that might be.

2023 / Canadian Poetry / $23.95/ 9781554472505 / Trade paper / 112 pp

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Tom Cull’s debut collection is equal parts zoo, funhouse, and curio cabinet. A mouthy badger tells off a search committee, a family of beavers conspires to commit murder, a celebrity seal slips his cage. In these poems, human and animal spaces overlap, often marking moments of transgression, rebellion, escape, and capture. Home and habitat are flooded with invasive species, cute animal videos, and rising tides. Published in 2019 by Insomniac Press.

Read a review from the Western News.

Read a review from The /tƐmz/ Review.

Recent Publications

 
Long Con "Keep Your Distance"  Digital Chapbook written in collaboration with Kerry Manders: https://longconmag.com/collusionbooks/digital/2x4two/keep-your-distance/
 
The Dalhousie Review "Deer Statue" and "Auto Erotica" https://ojs.library.dal.ca/dalhousiereview/issue/view/947/showToc

What the Badger Said

Published by Baseline Press, 2013
32 pp., thread bound, 5.75"x 7.25"
ISBN # 978-0-9880819-6-3
original artwork by Patrick Cull

Collaborations: With Patrick Murray

Patrick Murray: Canadian choral conductor and composer Patrick Murray is Sessional Assistant Professor in Choral Music at Western University (London, Ontario) and director of the University of Toronto Scarborough Concert Choir. As a composer, Murray has been commissioned by ensembles including New York Polyphony, Carmel Bach Festival, and the Grand Philharmonic Choir, recorded by the DaCapo Chamber Choir, and published by Cypress Choral Music. Murray’s research focuses on inter-community collaboration in contemporary choral composition. His work is available at www.patrickmurraymusic.net.
 
 
One of the highlights of this summer was receiving an email from Patrick Murray inquiring whether he might set one of my COVID poems to music for choir. We had some lovely chats about the poem, which tries to capture an episode from the first week of lockdown in 2020. Em and I were shopping during the early days of toilet -paper and hand-sanitizer mania. Em had lots of questions and I struggled with the answers. There is a comical nature to our conversation, but underneath the humour was a serious grappling with the unknown and our attempt to put words to an uncertain future. Patrick really keyed in on this in our conversations, and the terminological slippage of "Quarantine" becomes the centre of the piece. I really had no idea what to expect, but I find the final arrangement fascinating, mesmerizing, and beautiful (meditative too). I know little about music, but the arrangement and choir voices create something quite surprising and estranging -- I associate choirs with serious church music and, perhaps "high' art? Its mixture here with specific political/social context and the dark humour of the poem creates something that is quite layered and productively unhinging. I'm not sure how to describe it really, but I'm very grateful to Patrick and the singers who took my poem and created something entirely new.
Resilient City

Online poetry

"Voice of Fire" and "Vanitas" in long con magazine. 2019.

"Huron County", "At Ripley's Aquarium", and "dad bod" in the Rusty Toque. 2017.

 

Coastal Works

A Poem to Commemorate the 20th Anniversary of the Lake Huron Coastal Centre



Wade out, up to your waist—

stand where land and lake churn;

let the waves push, pull, jostle you.

Feel the sand—pulled by the current

from under your feet, whipped by the wind

through your hair. You are here

in the middle of a great hydraulics:

bluff, dune, beach, waves,

wind, sand bar, lake,

ceaselessly moving, changing,

exchanging, building up, eroding away. 

 

Face north, east, south, west—

on the horizon, the salted lake freighters  

dodge the dipping sun, back on shore

the dunes burn gold at day’s end.

In this place of flux, we face oppositions:

Piping Plovers and cigarette butts

six-pack rings and Blanding’s Turtles

Phragmites and Pitcher’s Thistle

Tundra Swans and ATVs.

 

We share the urgent sadness of seeing

Slurpee straws roll in the surf,

plastic bags ragged by the wind caught

in the branches of Sane Dune Willows.

But we also rejoice at the sight of Green Milkweed,

Blue-Flag beaches, Bald Eagles

dissecting the sky overhead.   

 

Time to come ashore? Hold for a moment,

let that current sucking at your calves have its way,

let the undertow take you out and under,

further, deeper, down to the lake bottom

past the few remaining giant lake sturgeon,

mumbling barbeled lamentations to miners

miles below, scraping road salt from cathedral caverns.

 

 

 

Here on the lake’s floor find

nine thousand years old bones of Caribou

hunted by peoples who came before.

So many peoples here before us, still with us,

we learn what they knew—what they know:

the lake is more than science—it is sacred.

We belong to it.

 

It’s time, come ashore

Your friends have gathered;  

you see them scouring the shoreline

armed with garbage bags and gloves,

a laughing communion of believers,

every bit of garbage collected,

every inch of shoreline protected—

an act of love, hope, imagination.

 

You teach your friends, your family what you know

and what you don’t. You watch your child, your grandchildren

step joyously into that water for the first time and know you are

doing something that runs deep, deeper, into the blue of Huron.